Friday, January 14, 2011

Happy 2011! Let's Start the Year with a Documentary

In pursuit of further film knowledge, I enrolled in a continuing education class at Stanford University this semester.  It's entitled "10 Films that Shook the World."  It is conjointly taught by Jasmina Bojic and Mick LaSalle.  Jasmina Bojic is a Stanford professor who is also a journalist with a long history covering film festivals and award ceremonies.  She also created and runs the international documentary film festival UNAFF.  Mick LaSalle is a film critic for the San Francisco Chronicle as well as an author of several books about film: "Complicated Women: Sex and the Power in Pre-Code Hollywood" and "Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man." He also happens to be one of my favorite film critics so I felt compelled to take advantage of this opportunity.  My first class was last night and was taught by Jasmina who showed us the film "Black Wave: The Legacy of the Exxon Valdez." Here is an excerpt from the website devoted to the film:


Twenty years after the Exxon Valdez oil spill, marine biologist Riki Ott and the fishers in the town of Cordova, Alaska remind us that the biggest environmental catastrophe in North American history is still with us. Over time, its consequences have become all the more apparent and painful. The spill has profoundly altered the lives of tens of thousands of people, reducing them to poverty and despair.

Before beginning the film, Jasmina asked us how much we remember about the Exxon Valdez oil spill in 1989 and there was silence.  Most of us remember it happening but we had little information about what occurred afterward and what's happening at the present time.  "See," she said "this is why documentaries can be so important."  The film centered around the lives of several families in the city of Cordova which was the hardest hit by the Exxon disaster.  The fishing industry there was destroyed and has never recovered.  If you dig down about a foot, the oil is still present in the sand.  The clean up crews that Exxon sent to the area three years (yes, three years) after the spill are still suffering the lasting effects of the "safe" chemicals they used to try to clean up the cove.  The townspeople, as well as the clean up crews, sued Exxon for damages, were awarded billions of dollars but, as only large corporations can do, they fought and appealed the decision for 20 years until it was finally reduced by the US Supreme Court to $507 million.  That $507 million distributed between all of the townspeople didn't even begin to cover their legal costs, let alone their loss of livelihood.  This film is touching, aggravating, and heart-breaking, but most of all it tells the true story of how the world is horrified by such a disaster only to forget about it once the media has moved on.  One resident of Cordova, Dr. Riki Ott, a fisher woman and marine biologist who is the film's heart and mind, lectures all over the world about the dangers of oil spills and has also written two books documenting their struggle with Exxon, Sound Truths and Corporate Myth$ and Not One Drop. Her clear voice detailing what happened and what continues to happen to the ecosystem in Prince William Sound is mind-blowing.  This is also a film about corporate America at its worst.  Exxon was contacted repeatedly to present their side of this continuing story but the filmmakers received no response.

If you get a chance to view this film, I cannot stress enough how important it is especially in light of the BP disaster that has now become old news also.  What is happening in the Gulf now?  What kind of lasting effects are there?  Is BP doing all that it can to adequately clean up and help the environment recover from such a devastating spill?  Corporations need to be held accountable for their actions just like everyone else.

For more information on the Black Wave go to:  http://www.blackwavethefilm.com/

Thursday, December 23, 2010

Beauty Driven to Madness

There will be varying interpretations of the film "Black Swan" but my feelings are that it's about where the road to perfection can take you.  And in this case, it took Nina Sayers (beautifully portrayed by Natalie Portman) to a breakdown of magnificent proportions.  "Black Swan" directed by Darren Aronofsy ("The Wrestler" "Pi" "Requiem for a Dream"), written by Mark Heyman, Andres Heinz and John McLaughlin, and starring Natalie Portman ("The Professional" "V for Vendetta" "Garden State"), Mila Kunis ("Forgetting Sarah Marshall" "That 70's Show") and Vincent Cassel ("Elizabeth" "Ocean's Twelve") begins with a beautiful sequence of Nina dancing but it quite quickly becomes clear that she is dreaming and that dream also quite quickly becomes sinister.  From there we are introduced to her life with her mother, Erica, played with great subtlety by Barbara Hershey ("Hannah and Her Sisters" "Beaches.")  Nina is a prima ballerina who is hoping to be cast as the lead in a new production of Swan Lake.  Nina's mother, we find out later, was also a ballerina but gave up her career when she became pregnant.  There are layers of guilt and resentment coming from both women as Nina, who is clearly in her mid to late 20's, still lives with her mother in her childhood room and continues to let her mother put her to bed.  Nina also begins a friendship with another dancer, Lily (Mila Kunis), and Lily gives Nina a taste of a normal, balanced life but you're never quite sure if Lily's motives are pure.  There are many scenes that degrade into what seem to be Nina's fantasies or hallucinations.  The film is shot with a slightly hazy and sepia colored tone that adds to the disjointed sense that what you're seeing is not real.  The music, of course, is glorious and it builds as the film progresses and leaves you slightly breathless at the end.  Please go see this film for yourself - it is beautiful, haunting and unlike anything I've ever seen before. 

Saturday, December 18, 2010

Another Story of Courage and Fortitude.

I saw this film in an independent theatre in Palo Alto, which was packed with what looked like the entire baby boomer population of Northern California.  But next to me sat a young teenage girl with her parents who was one of the first people to start clapping when the film ended.  And I was right behind her.  Has there ever been a more likable and honest looking actor than Colin Firth?  Who better to play a monarch who has been placed in a position of power he never dreamed would befall him.  "The King's Speech" directed by Tom Hooper ("John Adams" "Red Dust" and a long list of very good British television shows and mini-series) and starring Colin Firth (magnificent last year in "A Single Man," "Bridget Jones Diary," and of course, the original Mr. Darcy in "Pride & Prejudice"), Geoffrey Rush ("Shine", "Quills" and was Barbossa in the "Pirates of the Caribbean" franchise) and Helena Bonham Carter ("Sweeney Todd", "Howards End" and the deliciously evil Bellatrix in the Harry Potter films.)  This film is the story of King George VI, who came to the throne just as the Nazi threat was escalating in Europe, when his brother, King Edward VIII (wonderfully portrayed by Guy Pearce), abdicated in order to marry an American divorcee, Wallis Simpson (Eve Best.)  King George, or Bertie as he was known to his family, had always been afflicted with stuttering.  As a prince, he was called upon to give public speeches and they always were always excruciating, but when he came to power as the King, his duty as a public speaker became paramount.  Bertie had been treated by all the best doctors and therapists in England but saw little improvement.  Thus Bertie's wife, Elizabeth, turned to Lionel Logue as a last resort.  The two men had a rough beginning but eventually developed a fast friendship and Lionel spent the rest of his life helping Bertie at every speech and public appearance.  The story of the two men and how they came to understand each other is very funny and touching at the same time.  The techniques that Lionel used (he was not a doctor nor was he trained in speech pathology - he had honed his skill while helping wounded soldiers who had severe shell shock and would speak to no one but him) slowly bring out the story of Bertie's childhood - his overbearing father, wicked nannies and doted-on older brother.  These factors all played a part in Bertie's affliction.  Colin Firth is magnificent as Bertie.  His stuttering never feels forced and the interplay between Bertie and Logue feels like you are truly watching two old friends.

This is a fascinating story of what it means to be a monarch.  The screenplay is smart, funny, caustic and engaging.  Many historical figures are seen throughout the film, such as Winston Churchill (an amazing Timothy Spall, who was last seen as Peter Pettigrew in Harry Potter), Neville Chamberlain (Roger Parrott) and the Princess Elizabeth (Freya Wilson) whom we all know grows up to be Elizabeth II.  This is a wonderful film for the whole family.  

Monday, December 13, 2010

"127 Hours" - If Only All Films Could Have Such Heart.

We all know this is an incredible story of fortitude and survival, but for it to be presented in such an inspiring, thoughtful and insightful way is truly a thing of beauty.  Danny Boyle, who brought us "Slumdog Millionaire," "28 Days Later" and "Trainspotting," takes on a completely different genre and does it the right way.  "127 Hours" is based on the true-life adventure gone wrong of Aron Ralston (played by James Franco, with the perfect combination of grace, heart and spontaneity - he is an actor of the highest caliber and will surely garner an Oscar nomination.)  Aron is a 28 year old hiker/mountaineer who goes for a day hike in Canyonlands, Utah, and becomes trapped in a ravine with his arm pinned by a boulder.  Aron is a free spirit who is reckless, looking for excitement in the outdoors and seems convinced that he is invincible.  He therefore ignores the warnings to always tell someone where he is going and ignores the questions from his family who are always wondering where he is.  On his way into the canyon, he encounters two women who are somewhat lost.  He helps them find their way (off the main path, of course) and then sends them on their way.  Not long after he leaves them, he falls into the ravine.  For the next 127 hours, Aron does everything he can to free himself, using the only sharp instrument he had - a free "survival tool" his mother had given him.  The beauty of this film is the depiction of his slow realization that he will surely die where he is.  His thirst becomes overwhelming and when the hallucinations start, we learn more about who Aron is and what his life had been like up to this point.  He is sure that his recklessness has led him to this spot and that he deserves it after the heartache he must have caused his family by his frequent disappearing and his inability to commit to those who love him most.  He realizes his selfishness as he records his thoughts and feelings on his video camera.  He has one last hallucination that sets in motion his determination to get out of that ravine at any cost.  The scenes of his self-mutilation are hard to watch but they are mercifully short and by the time they happen, you are so invested in seeing him live that you cannot turn away.  You will cheer and cry as he walks out of the ravine and stumbles upon a family who happen to be hiking nearby.  His shouts of "help" will ring in your ears long after it's over.  It's a story of the power of the human spirit and a story of familial love.  I dare you to see it and not be deeply and profoundly touched. 

Friday, October 22, 2010

Love the Beatles?

Well, who doesn't.  Yet, even if the dulcet tones of the harmonies on "If I Fell," "Ticket to Ride," or "Norwegian Wood" don't move you, this film, that opened in the US the day before what would have been John Lennon's 70th birthday, will. 

"Nowhere Boy", directed by Sam Taylor-Wood and co-written by Julia Baird, who is John's half-sister, and Matt Greenhalgh, is the story of John Lennon's life before the Beatles, as a young man growing up in Liverpool.  It is largely based upon Julia Baird's book, Imagine This: Growing Up With My Brother John Lennon. As I sat in the theatre anxiously waiting for the film to start, I was transported back to that day as a very young fan (I was 7 when they first appeared on Ed Sullivan and I had already stolen all of my sister's albums and knew every word) sitting on my parent's bed staring at the black and white TV in anticipation of seeing them perform for the first time, and crying when they came on.  My mom had to comfort me and hold me through the whole show.  So, as this film started, it was like going home for me, especially when the first sound I heard was the opening chord for "Hard Day's Night."  From there, the film moves into setting up what his life was like as a teenager in Liverpool during the late 50's and early 60's, as well as the beginnings of rock and roll and where and when John (played by Aaron Johnson, who just catapulted his career) first heard Elvis and many other rockers of that era.  We meet John's Aunt Mimi (played by the perfectly cast Kristin Scott Thomas) and Uncle George (played by David Threlfall), with whom he is living, and we find out how his Uncle George died and what an impact that had upon him.  We are then introduced to his mother, Julia (played by Anne-Marie Duff.)  The story behind why he is living with his aunt and uncle and not his mother is explained later in the film but when we first see John reunited with his mother, we get a glimpse into the tragedies of his life that shaped him.  Julia is the first person to introduce John to the bango and Mimi is the first person to buy John a guitar.  John is in and out of school and eventually starts his own band, the Quarrymen.  At one of their first gigs, he is introduced to a skinny kid named Paul, who plays the guitar backwards.  John and Paul bond over Paul's admission that his mother died a year before but there is always a slight bit of jealousy coming from John when it becomes apparent that Paul is as talented and sought after as John.  The real story of John's birth, where his father is and what caused his mother to let her sister, Mimi, have custody of him comes out towards the end of the film and it provides some really tender and agonizing scenes that will leave you with a much clearer idea of the man who was John Lennon.  The acting in this film is superb, as well as the ambiance of the time.  John's wit is showcased at times, especially near the end, as well as his deep-seeded anguish and longing for approval and love.  Also throughout the film, there are references thrown in to future songs that John will write, as when he bicycles past Strawberry Fields, or is doodling in his school book and the poem above it is something about a walrus.  The film ends with John telling Mimi that he has a new gig in Hamburg and will be gone for several months.  She asks him, "Is it with that new band of yours, oh, what's the name?  I can never remember." 

We will never forget.

Tuesday, October 12, 2010

Almost Makes You Want to Give Up Facebook

Just kidding.  I could never do that. 

"The Social Network" is the story of how the most popular social networking site in the world came to be, and it's not pretty.  It was co-written by Aaron Sorkin ("A Few Good Men" "West Wing") and Ben Mezrich (who wrote the book "The Accidental Billionaires" upon which the movie is based) and was directed by David Fincher ("Fight Club" "Seven" "Zodiac" "The Curious Case of Benjamin Button".)  

The film begins with a date gone wrong, where we see Mark Zuckerberg (played with aplomb by Jesse Eisenberg "Solitary Man" "Adventureland" ) saying and doing all the wrong things and losing the girl.  From there he goes on an intellectual rampage creating a website called "FaceMash" where pictures of actual girls on campus are used and compared as to who is the hottest.  This site crashes the Harvard network in about two hours, getting the attention of two Harvard brothers (who just happen to be wealthy, very good looking, very popular and very athletic) who are looking for someone to help them write the code for a networking site on the Harvard campus. Mark and his best friend, Eduardo Saverin (a very good Andrew Garfield "Red Riding" series, "Never Let Me Go") have already begun work on a similar site so Mark agrees to help the brothers and builds his site, called The Facebook, using their connections and Eduardo's money.  Mark is someone who is so intellectually superior to everyone around him that he has trouble controlling his actions and he continues on a path of making a mockery of those cooler, hipper and more popular than he is without stopping to weigh the consequences. "The Facebook" morphs into just "Facebook" and becomes an international sensation, while Mark shuts out the Harvard brothers and eventually shuts out Eduardo as well, mostly due to the influence of Sean Parker, the founder of Napster.  Sean Parker (played by an underrated Justin Timberlake.  This guy can act, people!) is the ultimate salesperson, slimy, charming, name-dropping, lying, whatever it takes to get people to do what he wants.  He finagles some investors for Mark and Facebook, with the end result of Eduardo being forced out because Mark no longer feels he needs him.  Lawsuits reign all around and in the end....well, everyone knows who got rich.  Everybody.  

The film goes back and forth between depositions being held for the various lawsuits and what actually happened (with some creative license, I'm sure) and the tension built using this device is marvelous.  For a story that happened mostly on paper and in cyberspace, it's a darn good edge of your seat kind of film.  I highly recommend it.  

I'm Glad I Don't Live in This Town

Well, as the critics have said, Ben Affleck has flexed his movie muscles and lifted up a winner.  "The Town" is a gritty, well-paced, thought-provoking, well-acted and very well written film.  Not only does Ben star in it, he also directed and co-wrote the film with Peter Craig, Aaron Stockard and Chuck Hogan.  

It is set in Boston (where Ben grew up) and takes place mostly in the neighborhood of Charlestown, the bank robbery capital of the world. The story revolves around Doug (Ben Affleck), James (Jeremy Renner "The Hurt Locker") and Claire (Rebecca Hall "Vicky Cristina Barcelona".) Doug and James are career criminals who come from a long line of Boston gangsters.  However, Doug is looking to get out.  During the heist that Doug hopes is his last, they end up taking Claire as a hostage.  They let her go but not before they take her driver's license and Doug discovers that Claire lives nearby.  He begins a relationship with her (she never saw her captors) and Doug's struggle to end his life of crime truly begins.  There are moments in this film that are truly stunning to watch and the actors bring such a gritty realism to the film.  Ben Affleck shows a maturity I haven't seen before, and Jeremy Renner is as tense and tortured as he was in the "Hurt Locker", only with a more evil and sinister core.  Rebecca Hall gives us the average girl thrown into a horrible situation with such life and courage, you will feel as if you've always known her.  And then there's Blake Lively ("Gossip Girl") as James' sister, Krista, a drug addict who is in love with Doug.  Her chameleon performance should make producers and casting directors take notice.  This woman can act.  


The ending sequence of the film takes place at Fenway Park, which is a total bonus to an otherwise great crime film.  Go see it!